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Anyone who says you can’t see a thought simply doesn’t know art. ~Wynetka Ann Reynolds
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National Poetry Month 2008
I hear my being dance from ear to ear.
The Waking
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
. . . caught in the eye. It stays
The Sycamore Gathers
The sycamore gathers
out of the sky, white
in the glance that looks up to it
through the black crisscross
of the window. But it is not a glance
that it offers itself to.
It is no lightning stroke
caught in the eye. It stays,
an old holding in place.
And its white is not so pure
as a glance would have it,
but emerges partially,
the tree’s renewal of itself,
among the mottled browns
and olives of the old bark.
Its dazzling comes into the sun
a little at a time
as though a god in it
is slowly revealing himself.
How often the man of the window
has studied its motley trunk,
the out-starting of its branches,
its smooth crotches,
its revelations of whiteness,
hoping to see beyond his glances,
the distorting geometry
of preconceptions and habit,
to know it beyond words.
All he has learned of it
does not add up to it.
There is a bird who nests in it
in the summer and seems to sing of it-
the quick lights among its leaves
-better than he can.
It is not by him imagining
its whiteness comes.
The world is greater than its words.
To speak of it the mind must bend.
Quotation
“Poetry is an echo, asking a shadow to dance.”
-Carl Sandburg
. . . waves washing against the shore like promises.
Snapshot of a Lump
I imagine Nice and topless beaches,
women smoking and reading novels in the sun.
I pretend I am comfortable undressing
in front of men who go home to their wives,
in front of women who have seen
twenty pairs of breasts today,
in front of silent ghosts who walked
through these same doors before me,
who hoped doctors would find it soon enough,
that surgery, pills and chemo could save them.
Today, they target my lump
with a small round sticker, a metal capsule
embedded beneath clear plastic.
I am asked to wash off my deodorant,
wrap a lead apron around my waist,
pose for the nurse, for the white walls-
one arm resting on the mammogram machine,
that “come hither” look in my eyes.
This is my first time being photographed topless.
I tell the nurse, Will I be the centerfold
or just another playmate?
My breast is pressed flat – a torpedo,
a pyramid, a triangle, a rocket on this altar;
this can’t be good for anyone.
Finally, the nurse, winded
from fumbling, smiles,
says, “Don’t breathe or move.”
A flash and my breast is free,
but only for a moment.
In the waiting room, I sit between magazines,
an article on Venice,
health charts, people in white.
I pretend I am comfortable watching
other women escorted off to a side room,
where results are given with condolences.
I imagine leaving here
with negative results and returned lives.
I imagine future trips to France,
to novels I will write and days spent
beneath a blue and white sun umbrella,
waves washing against the shore like promises.
When power corrupts, poetry cleanses
When power leads man towards arrogance, poetry
reminds him of his limitations. When power narrows
the area of man’s concern, poetry reminds him of
the richness and diversity of his existence. When
power corrupts, poetry cleanses.
“If more politicians knew poetry, and more poets
knew politics, I am convinced the world would be
a little better place in which to live.”
–Sen. John F. Kennedy, Address at Harvard University, 1956
The seen, the known . . .
Monet’s Waterlilies
Today as the news from Selma and Saigon
poisons the air like fallout,
I come again to see
the serene, great picture that I love.
Here space and time exist in light
the eye like the eye of faith believes.
The seen, the known
dissolve in iridescence, become
illusive flesh of light
that was not, was, forever is.
O light beheld as through refracting tears.
Here is the aura of that world
each of us has lost.
Here is the shadow of its joy.
. . . Grace Where I Live.
What I Have Found
This place that claims my midlife
labor is not an Eden I have made.
It is a place of trial.
My hope resides in yielding
to what calls me still to stay.
No charming serpent curls
about my arm and whispers
in my ear. But I am tempted
nonetheless. Like Homer
I take the stories of my people,
I give them shape, and hand
them down. What I pass on
is truth made new — half-truth
spun through kind invention.
The world I make is finer
than the world I know. How else
contain the bitterness, the pain,
the grief? I have not lied.
I say my words; I seek
the wholeness of the world.
Like Homer I am blind.
I see what is not here.
I see this place by word
and grace a new creation.
That word is what I’ve found.
That grace is where I live.
I didn't for a moment doubt you were dead.
The Embrace
You weren’t well or really ill yet either;
just a little tired, your handsomeness
tinged by grief or anticipation, which brought
to your face a thoughtful, deepening grace.
I didn’t for a moment doubt you were dead.
I knew that to be true still, even in the dream.
You’d been out—at work maybe?—
having a good day, almost energetic.
We seemed to be moving from some old house
where we’d lived, boxes everywhere, things
in disarray: that was the story of my dream,
but even asleep I was shocked out of narrative
by your face, the physical fact of your face:
inches from mine, smooth-shaven, loving, alert.
Why so difficult, remembering the actual look
of you? Without a photograph, without strain?
So when I saw your unguarded, reliable face,
your unmistakable gaze opening all the warmth
and clarity of you—warm brown tea—we held
each other for the time the dream allowed.
Bless you. You came back, so I could see you
once more, plainly, so I could rest against you
without thinking this happiness lessened anything,
without thinking you were alive again.
Aquainted With The Night: Robert Frost
[youtube=http://www.youtube.com/watch?v=2Qzo7fKGgWU&rel=0&color1=0x2b405b&color2=0x6b8ab6&hl=en]
Then I heard wings overhead
The Bat
I was reading about rationalism,
the kind of thing we do up north
in early winter, where the sun
leaves work for the day at 4:15.
Maybe the world is intelligible
to the rational mind;
and maybe we light the lamps at dusk
for nothing….
Then I heard wings overhead.
The cats and I chased the bat
in circles – living room, kitchen,
pantry, kitchen, living room….
At every turn it evaded us
like the identity of the third person
in the Trinity: the one
who spoke through the prophets,
the one who astounded Mary
by suddenly coming near.
Doors and Windows
Door
Why should I care
Which way you go through me?
I am responsible only
For the dividing furniture
From the changeful weather,
The past from the future,
The dream from the waker.
Inside, outside,
It’s all one to me.
Who passes through one way
May come back the other way.
If what’s promised on one side
Is denied on the other,
You work it out then.
Being neutral, I choose
To stay just here.
Window
It is no more than an eyehole
On the outside scene
Making everything
– The snow, the runaway dog,
The boys brawling in the car
Skidding against the tree –
Content to be contained
Within a reasonable frame?
Or could it be
A casement dividing
A real observer from a view
Of untrammeled possibility,
Its pane connecting
A man in a room in
Steam heat and a battered chair
With his future
Which he could not see
Were it not there?
Perhaps it’s the lens that allows
Errant swift and swallows
In a downward swoop
Of their tumbling flight
To glimpse the man waiting
For the future to happen –
While he’s caged in time
They’re free to look in,
And its gift is insight.
Browsing the dim back corner . . .
Browsing the dim back corner
Of a musty antique shop:
Opened an old book of poetry
Angels flew out from the pages
I caught the whiff of a soul
The ink seemed fresh as today
Was that voices whispering?
The tree of the paper still grows.
by Pixie Foudre
The Dead: Billy Collins Animated Poetry
[youtube=http://www.youtube.com/watch?v=iuTNdHadwbk&rel=0&color1=0x2b405b&color2=0x6b8ab6&hl=en]
I planted the seeds, I watched the first shoots . . .
Vespers
In your extended absence, you permit me
use of earth, anticipating
some return on investment. I must report
failure in my assignment, principally
regarding the tomato plants.
I think I should not be encouraged to grow
tomatoes. Or, if I am, you should withhold
the heavy rains, the cold nights that come
so often here, while other regions get
twelve weeks of summer. All this
belongs to you: on the other hand,
I planted the seeds, I watched the first shoots
like wings tearing the soil, and it was my heart
broken by the blight, the black spot so quickly
multiplying in the rows. I doubt
you have a heart, in our understanding of
that term. You who do not discriminate
between the dead and the living, who are, in consequence,
immune to foreshadowing, you may not know
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible
for these vines.
Dwelling In Possibility
I dwell in Possibility -
A fairer House than Prose -
More numerous of Windows -
Superior – for Doors -
Of Chambers as the Cedars -
Impregnable of Eye -
And for an Everlasting Roof -
The Gambrels of the Sky -
Of Visitors – the fairest -
For Occupation – This -
The spreading wide my narrow Hands
To gather Paradise -
Emily Dickinson, American poet (1830-1886)
The Written, The Lament and The Spoken
Many of the poems I find myself gravitating to have at least one foot touching nature: Robley Wilson’s poem ‘A Pleasure Tree’ has both feet firmly planted in nature.
A Pleasure Tree
by Robley Wilson
In the tree that bears gold
apples, the starlings keep
drunken balance. Seven apples
remain, spared by windstorms
that have savaged orchards
down to bare limbs and torn
fields into windrows. A marvel:
Seven apples have not fallen,
but hang in these March rains
like brown jewels, inside them
the pulp turning to raw wine
amber and ruby and cold as air.
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Ben Barton features in a BBC short film: No one reads poetry.
The film discusses the lack of poetry readership today and how most poets must juggle a busy day job with creative work.
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Long before there were words to write, poetry was shared orally and not since the late fifties and the beat movement have we seen poetry spoken as often as we see it now. I for one am thankful for the resurgence of spoken poetry and YouTube.
[youtube=http://www.youtube.com/watch?v=ZLk_Q3Cq2Ns&rel=0&color1=0x2b405b&color2=0x6b8ab6&hl=en]
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Stay tuned, it’s National Poetry Month the whole of April!
Who is the chairman of NEA?
The poet, critic, and best-selling anthologist, Dana Gioia (Joy-a) in 1977 moved to New York to begin a career in business. For fifteen years Gioia worked as a business executive, eventually becoming a Vice President of General Foods. Nominated by George Bush and unanimously confirmed by the U. S. Senate, Gioia began serving as NEA Chairman in February, 2003. Burning Ladder is a sample of his work.;I hope you enjoy his poems as much as I have. And let me take this opportunity to mention that April is National Poetry Month.

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