Something Deeply Spiritual
March 5, 2010 by Chip Cain

There is something deeply spirit about this video. Please watch the video before reading further.

There is something deeply spiritual about the feeling I get when watching this video, but that being said, I am not prepared to provide an explanation of what I am feeling. Mostly because I have no words that will describe either the feeling or why I believe it’s a spiritual feeling. What I can say is that “ it’s very cool!” Or I could use words like “Awesome” or “Spectacular” but if i did you wouldn’t understand the haunting I feel when it ends. Or the consideration that the drummer boy could be Jesus. Is that going too far? I think there are many many images within this video as to  why it’s possible it is an allegory of the Christian story. Now if you’re not confused already or perhaps you just disagree let me add that the lead singer and leader of the band Sigur Rós is openly gay. To some that won’t mean a thing, but to others like myself it challenges the thought that this video is a Christian allegory. But even so I do. Perhaps “out of the mouth of babes . . . .” Or maybe, what was meant for evil (which I don’t believe) is used for good.

It’s possible I am rambling but that’s the kind of thoughts my mind races to whenever i watch this video, and I have watched it several times. And will several more times. I hope you will leave your own thoughts (if you can articulate them) in the comment section. I look forward to hearing from you.

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City Textures
March 1, 2010 by Chip Cain

The photo above is the first that occupied space in a new gallery I have titled City Textures. The photographs found in City Textures are part of my ongoing project to capture various cities without indication of  place or time. Hopefully they will inspire others to see the cities they live in with fresh perspectives. Occasionally I will post new photos of my works here; perhaps they will interest you to view my growing collection of photos. Let me know what you think.

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Sometimes we have to pause . . .
February 13, 2010 by Chip Cain

When you look at an abstract piece of art, what do you see? Perhaps seeing is the wrong approach and you think your feelings might be a better set of eyes. But I would suggest that your head and heart together would be a perfectly tuned set of eyes. Do not let the head think it has value alone and do not let your heart rule without consulting the head. Yes I realize this is not said in the video but the truth is there within it.

Do not discard art too quickly. Or each other.

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Wave Photography
February 11, 2010 by Chip Cain

Don’t try this unless you have a waterproof camera. Wave photography at it’s coolest.

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The Genius of Photography
February 6, 2010 by Chip Cain

I’m sitting in my living room enjoying the deepening snow outside (16″+) and browsing the net. I stumbled across this video on YouTube about the genius of photography and felt it was well worth sharing with my photographer friends. Enjoy

Maybe later I’ll post a picture of the snowy scene outside.

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Michael Nicholas and Full Disclosure
February 2, 2010 by Chip Cain

Each day I visit one or two of my favorite blogs, usually art or photography related, just to see what’s happening in the world my interests float around in. This morning I revisited Photocrati a blog that always piques my interest. It is run by a diverse group of photographers which keeps it fresh and always filled with useful perspective and valuable gear reviews. Photocrati is also where I purchased my blog  theme, which is one of four separate blog themes they sell to photographers. But that is not the point of my latest blog and in the interest of full disclosure I recieve nothing for mentioning them nor do i get any commissions if you choose to buy one of their photography themes.

Now on to the point of this blog. Michael Nichols, Editor at Large for photography at National Geographic magazine was a guest blogger on Photocrati recently where he discussed the reasons for Full Disclosure of the photographic process. Please take the time to read his comments about one photographer’s ethical lapse and how it damages the image of photographers everywhere. It’s noteworthy to mention that his last two sentences are worth meditating on.

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Happy Birthday Robert Burns
January 25, 2010 by Chip Cain

Scotland’s, favorite son, poet and songwriter is turning 251 today. Robert Burns is most remembered for the song Auld Lang Syne but has had over 368 of his poems recorded in song. Almost all of his works were written in the Scottish dialect of his day and have been translated into English for our benefit. He’s not my favorite poet, but is an influential one and as such I couldn’t pass up sharing his birthday with you. If you wish to read a sampling of his poems they can be found at the Poets website.

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Bragging Rights
January 21, 2010 by Chip Cain

I can’t help but share the fact  that recently three of my photos were selected as the winning selections for a Best of 2009 photo contest. To see where this took place and my winning photos visit  Towner Jones Photography .

While you’re there take the time to look around, especially if you want to improve your picture taking craft.  Rob Jones, the owner of this website, provides many good tips and links to many more tips. And he does this all with a very personal touch: you can tell he does it because he enjoys what he does.

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The Webb Sisters —- Words That Mobilize
January 18, 2010 by Chip Cain

Recently I was searching through the many videos of Leonard Cohen found on YouTube and came across the following video by the Webb Sisters.

You might be asking, “What’s the connection with Leonard Cohen?” Well, The Webb Sisters, Charley and Hattie, recently completed a tour with Leonard. One of my favorite Cohen songs is ‘If It Be Your Will’ and the Webb Sisters, with help from the man himself, has made it one of their own in this second video:

And now that I have brought up the topic of favorite Leonard Cohen songs why don’t you let us know what your favorite Leonard Cohen song is by  leaving a comment with the song title and feel free to post a link where we all can watch it being performed.


<span style=”display: block; margin: 0px auto; width: 425px;”> <object classid=”clsid:d27cdb6e-ae6d-11cf-96b8-444553540000″ width=”425″ height=”350″ codebase=”http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0″><param name=”flashvars” value=”&amp;rel=0&amp;border=0&amp;” /><param name=”src” value=”http://widgets.vodpod.com/w/video_embed/Groupvideo.4505695″ /><param name=”wmode” value=”transparent” /><embed type=”application/x-shockwave-flash” width=”425″ height=”350″ src=”http://widgets.vodpod.com/w/video_embed/Groupvideo.4505695″ wmode=”transparent” flashvars=”&amp;rel=0&amp;border=0&amp;”></embed></object></span>
<div style=”font-size: 10px;”>more about “<a href=”http://vodpod.com/watch/2889376-the-webb-sisters-if-it-be-your-will-rah-nov-17-2008?pod=chipcain”>The Webb Sisters: If It Be Your Will …</a>”, posted with <a href=”http://vodpod.com?r=wp”>vodpod</a></div>
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Square Halo – Hearts and Minds
December 24, 2009 by Chip Cain

SqLogoJust in case you missed the exhibition I mentioned in my last post, I promised that I would provide a link to a book that will in some way replicate the exhibition. Well here is that link: two links in fact.

Square Halo is the publisher of the book Rouault-Fujimura: Soliloquies by Thomas S. Hibbs. And you may purchase the book online from Hearts and Minds. In fact Hearts and Minds may be the only source for this book. I receive nothing from them for this or my last post but even so I recommend you visit both. I’m sure both websites will be enlightening.

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We don’t care what you do in NY
December 19, 2009 by Chip Cain

Recently I ran across two juxtaposed thoughts related to NY city; although they relate to a much larger picture. Peggy Noonan wrote an opinion piece for the online version of the Wall Street Journal today titled the The Adam Lambert problem.  She says “America is good at making practical compromises, and one of the compromises we’ve made in the area of arts and entertainment is captured in the words “We don’t care what you do in New York.” That was said to me years ago by a social conservative who was explaining that he and his friends don’t wish to impose their cultural sensibilities on a city that is uninterested in them, and that the city, in turn, shouldn’t impose its cultural sensibilities on them. He was speaking metaphorically; “New York” meant “wherever the cultural left happily lives.” I believe many across the US think this way; that NY is out of touch with me. But this would be wrong on may levels.

I told you there was a juxtaposition of thoughts, well the other thought isn’t really a thought but actually an art exhibition.

Rouault-Fujimura

You may have heard of French painter Georges Rouault (1871-1958) but what about New York artist Makato Fujimura? The Dillon Gallery in NY (remember that city we don’t care about) has put together an art exhibit that puts these two artist together. And by putting their work together the Dillon Gallery has put together a meeting of two artists with very different styles but similar spiritual perspectives. You can find representations of redemption in their work and thereby not only redeeming the viewer they also redeem NY city. Since this exhibition ends on Dec 24th it’s probably too late to make plans to go see it but in a couple of days I’ll post the second best thing to being there.

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What would you like to have happen by the end of the day?
December 4, 2009 by Chip Cain

I continue to be fascinated with these short 1 question 50 people videos: this one is no exception. Here is another one for your enjoyment and please leave your answer to the question by posting a comment to this post.

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The Portraits: Wild Africa
May 10, 2009 by Chip Cain

Recently I found a photographer who’s photos of African animasl are more like portraits than the usual pictures you see. The photographer is Nick Brandt and he says of his “. . . images are unashamedly idyllic and romantic, a kind of enchanted Africa. You can see a very nice collection of his photos at Pascal Young’s Gallery.

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The List
April 30, 2009 by Chip Cain

By Naomi Shihab Nye

A man told me he had calculated
the exact number of books
he would be able to read before he died
by figuring the average number
of books he read per month
and his probable earth span,
(averaging how long
his dad and grandpa had lived,
adding on a few years since he
exercised more than they did).
Then he made a list of necessary books,
nonfiction mostly, history, philosophy,
fiction, and poetry from different time periods
so there wouldn’t be large gaps in his mind.
He had given up frivolous reading entirely.
There are only so many days.

Oh, I felt sad to hear such an organized plan.
What about the books that aren’t written yet,
the books his friends might recommend
that aren’t on the list,
the yummy magazine that might fall
into his hand at a silly moment after all?
What about the mystery search
through the delectable library shelves?
I felt the heartbeat of forgotten precious books
calling for his hand.

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Poverty
April 29, 2009 by Chip Cain

By Pablo Neruda

Ah you don’t want to,
you’re scared
of poverty,
you don’t want
to go to the market with worn-out shoes
and come back with the same old dress.

My love, we are not fond
as the rich would like us to be,
of misery. We
shall extract it like an evil tooth
that up to now has bitten the heart of man.

But I don’t want
you to fear it.
If through my fault it comes to your dwelling,
if poverty drives away
your golden shoes,
let it not drive away your laughter which is my life’s bread.
If you can’t pay the rent
go off to work with a proud step,
and remember, my love, that I am watching you
and together we are the greatest wealth
that was ever gathered upon the earth.

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I Shall Be Released
April 28, 2009 by Chip Cain

by Kevin Young

What we love
will leave us

or is it
we leave

what we love,
I forget—

Today, belly
full enough

to walk the block
after all week

too cold
outside to smile—

I think of you, warm
in your underground room

reading the book
of bone. It’s hard going—

your body a dead
language—

I’ve begun
to feel, if not

hope then what
comes just after—

or before—
Let’s not call it

regret, but
this weight,

or weightlessness,
or just

plain waiting.
The ice wanting

again water.
The streams of two planes

a cross fading.

I was so busy
telling you this I forgot

to mention the sky—
how in the dusk

its steely edges
have just begun to rust.

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Amaryllis
April 27, 2009 by Chip Cain

by Ted Kooser

A flower needs to be this size
to conceal the winter window,
and this color, the red
of a Fiat with the top down,
to impress us, dull as we’ve grown.

Months ago the gigantic onion of a bulb
half above the soil
stuck out its green tongue
and slowly, day by day,
the flower itself entered our world,

closed, like hands that captured a moth,
then open, as eyes open,
and the amaryllis, seeing us,
was somehow undiscouraged.
It stands before us now

as we eat our soup;
you pour a little of your drinking water
into its saucer, and a few crumbs
of fragrant earth fall
onto the tabletop.

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Love In Black And White
April 24, 2009 by Chip Cain

by Bianca Rossini with photographs by Michael Kenna

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Children in a Field
April 23, 2009 by Chip Cain

by Angela Shaw

They don’t wade in so much as they are taken.
Deep in the day, in the deep of the field,
every current in the grasses whispers hurry
hurry, every yellow spreads its perfume
like a rumor, impelling them further on.
It is the way of girls. It is the sway
of their dresses in the summer trance-
light, their bare calves already far-gone
in green. What songs will they follow?
Whatever the wood warbles, whatever storm
or harm the border promises, whatever
calm. Let them go. Let them go traceless
through the high grass and into the willow-
blur, traceless across the lean blue glint
of the river, to the long dark bodies
of the conifers, and over the welcoming
threshold of nightfall.

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Silent Music
April 22, 2009 by Chip Cain

by Floyd Skloot

My wife wears headphones as she plays
Chopin etudes in the winter light.
Singing random notes, she sways
in and out of shadow while night
settles. The keys she presses make a soft
clack, the bench creaks when her weight shifts,
golden cotton fabric ripples across
her shoulders, and the sustain pedal clicks.
This is the hidden melody I know
so well, her body finding harmony in
the give and take of motion, her lyric
grace of gesture measured against a slow
fall of darkness. Now stillness descends
to signal the end of her silent music.

Editors note: Did you notice this was in sonnet form?

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New Water
April 21, 2009 by Chip Cain

by Sharon Chmielarz

All those years–almost a hundred–
the farm had hard water.
Hard orange. Buckets lined in orange.
Sink and tub and toilet, too,
once they got running water.
And now, in less than a lifetime,
just by changing the well’s location,
in the same yard, mind you,
the water’s soft, clear, delicious to drink.
All those years to shake your head over.
Look how sweet life has become;
you can see it in the couple who live here,
their calmness as they sit at their table,
the beauty as they offer you new water to drink.

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They Sit Together on the Porch
April 20, 2009 by Chip Cain

by Wendell Berry

They sit together on the porch, the dark
Almost fallen, the house behind them dark.
Their supper done with, they have washed and dried
The dishes–only two plates now, two glasses,
Two knives, two forks, two spoons–small work for two.
She sits with her hands folded in her lap,
At rest. He smokes his pipe. They do not speak,
And when they speak at last it is to say
What each one knows the other knows. They have
One mind between them, now, that finally
For all its knowing will not exactly know
Which one goes first through the dark doorway, bidding
Goodnight, and which sits on a while alone.

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Fifty People, One Question
April 19, 2009 by Chip Cain

It’s a simple question in London…

httpv://www.youtube.com/watch?v=aQk30nYUOAw

It’s a simple question in Brooklyn…

httpv://www.youtube.com/watch?v=VJAUGg4081Q

It’s a simple, but different question in New York…

httpv://www.youtube.com/watch?v=7e53VeQ-pmc

Now go ahead and ask your self these same questions: they’re not always so simple…

Share your answers by leaving your answers in the comments.

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A Body Distant Brought Near
April 17, 2009 by Chip Cain

by Kathleen Adcock

Sitting on the moon’s rim
all that can be seen
is her mountains, flatland,
a pale asphalt.
Tonight

you pull me from my
poems.
We view a new crescent
from our roof.
You tweak the lens
of your telescope,
steer me into

the ocular
where in the black velvet void,
the moon’s inner arc
is a filigree
of bright white lace.

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Tell Yourself
by Chip Cain

by Mark Strand; read by Mary Louise Parker.

And when you done watching and listening take some time to browse all the nooks and crannys of PBS’s Poetry Everywhere.

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Flirtation
April 16, 2009 by Chip Cain

By Rita Dove – The first African-American woman to be named Poet Laureate of the United States

After all, there’s no need
to say anything

at first. An orange, peeled
and quartered, flares

like a tulip on a wedgewood plate
Anything can happen.

Outside the sun
has rolled up her rugs

and night strewn salt
across the sky. My heart

is humming a tune
I haven’t heard in years!

Quiet’s cool flesh—
let’s sniff and eat it.

There are ways
to make of the moment

a topiary
so the pleasure’s in

walking through.

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"Since why to love I can allege no cause"
April 15, 2009 by Chip Cain

by Roger Mitchell

“Since why to love I can allege no cause,”
I will love instead, leaving reasons
to better minds than mine, those for whom laws
create allowance for the seasons
of feeling. I cannot create what creates
me, unless in loving, love begets love,
though in begetting that, what first mates
with love to get that which it wants more of?
And so on, ad infinitum.
Better to look out the window and ponder
the weather, how quickly autumn
left, how quietly winter
slipped into town. It was looking for us,
afraid, I think, thinking the obvious.

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A SONNET FOR NAPALM
April 14, 2009 by Chip Cain

by H. PALMER HALL

“Tell me something,” she says.  “Do any flowers look
just like that, those blossoms of black, orange, red?”
She points at the screen, napalm flowering in the dawn.
“Some strange beauty from far enough not to feel
or smell, riots of deep embers glowing like fierce clouds?”
He nods, cannot find the words, remembers that
one time. That moment on the mountain he looked down
into a too green valley, B-52s so high he could not see

the spot in the sky where bombs dropped, some odd
whistling noise, some in-rushing of air, down and down
until in one moment, one space of time, dark green
turned to some color it had never meant to be and the smell
of the morning changed to nothing anyone could love,
a smell of heat and decay and green things turning gray.

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Word
April 13, 2009 by Chip Cain

by Madeleine L’Engle‏

I, who live by words, am wordless when
I try my words in prayer. All language turns
To Silence.
Prayer will take my words and then
Reveal their emptiness. The stilled voice learns
To hold its peace, listen with the heart
To silence that is joy, is adoration.
The self is shattered, all words torn apart
In this strange patterned time of contemplation
That, in time, breaks time, breaks words, breaks me,
And then, in silence, leaves me healed and mended.
I leave, returned for language, for I see
Through words, even when all words are ended.
I, who live by words, am wordless when
I turn me to the Word to pray.
Amen

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Good Friday, 1613. Riding Westward
April 10, 2009 by Chip Cain

by John Donne

Let mans Soule be a Spheare, and then, in this,
The intelligence that moves, devotion is,
And as the other Spheares, by being growne
Subject to forraigne motion, lose their owne,
And being by others hurried every day,
Scarce in a yeare their naturall forme obey:
Pleasure or businesse, so, our Soules admit
For their first mover, and are whirld by it.
Hence is’t, that I am carryed towards the West
This day, when my Soules forme bends toward the East.
There I should see a Sunne, by rising set,
And by that setting endlesse day beget;
But that Christ on this Crosse, did rise and fall,
Sinne had eternally benighted all.
Yet dare I’almost be glad, I do not see
That spectacle of too much weight for mee.
Who sees Gods face, that is selfe life, must dye;
What a death were it then to see God dye?
It made his owne Lieutenant Nature shrinke,
It made his footstoole crack, and the Sunne winke.
Could I behold those hands which span the Poles,
And tune all spheares at once peirc’d with those holes?
Could I behold that endlesse height which is
Zenith to us, and our Antipodes,
Humbled below us? or that blood which is
The seat of all our Soules, if not of his,
Made durt of dust, or that flesh which was worne
By God, for his apparell, rag’d, and torne?
If on these things I durst not looke, durst I
Upon his miserable mother cast mine eye,
Who was Gods partner here, and furnish’d thus
Halfe of that Sacrifice, which ransom’d us?
Though these things, as I ride, be from mine eye,
They’are present yet unto my memory,
For that looks towards them; and thou look’st towards mee,
O Saviour, as thou hang’st upon the tree;
I turne my backe to thee, but to receive
Corrections, till thy mercies bid thee leave.
O thinke mee worth thine anger, punish mee,
Burne off my rusts, and my deformity,
Restore thine Image, so much, by thy grace,
That thou may’st know mee, and I’ll turne my face.

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Find Work
April 9, 2009 by Chip Cain

By Rhina P. Espaillat

I tie my Hat—I crease my Shawl—
Life’s little duties do—precisely
As the very least
Were infinite—to me—
—Emily Dickinson, #443

My mother’s mother, widowed very young
of her first love, and of that love’s first fruit,
moved through her father’s farm, her country tongue
and country heart anaesthetized and mute
with labor. So her kind was taught to do—
“Find work,” she would reply to every grief—
and her one dictum, whether false or true,
tolled heavy with her passionate belief.
Widowed again, with children, in her prime,
she spoke so little it was hard to bear
so much composure, such a truce with time
spent in the lifelong practice of despair.
But I recall her floors, scrubbed white as bone,
her dishes, and how painfully they shone.

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e. e. cummings . . . now I know why!
by Chip Cain

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Poetry Out Loud
by Chip Cain

Worth the watch!  Poetry Out Loud

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Ox Cart Man
April 8, 2009 by Chip Cain

by Donald Hall

In October of the year,
he counts potatoes dug from the brown field,
counting the seed, counting
the cellar’s portion out,
and bags the rest on the cart’s floor.

He packs wool sheared in April, honey
in combs, linen, leather
tanned from deerhide,
and vinegar in a barrel
hoped by hand at the forge’s fire.

He walks by his ox’s head, ten days
to Portsmouth Market, and sells potatoes,
and the bag that carried potatoes,
flaxseed, birch brooms, maple sugar, goose
feathers, yarn.

When the cart is empty he sells the cart.
When the cart is sold he sells the ox,
harness and yoke, and walks
home, his pockets heavy
with the year’s coin for salt and taxes,

and at home by fire’s light in November cold
stitches new harness
for next year’s ox in the barn,
and carves the yoke, and saws planks
building the cart again.

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Three Poems by Jane Kenyon
April 7, 2009 by Chip Cain

Jane Kenyon is another favorite poet of mine. Her poems are usually short often touching someplace personal within the reader’s own psyche: or at least this readers psyche. I love all three of these poems but the third poem presented here, titled Otherwise, strikes a melancholic tone that always resonates with me no mater how often I read it. Otherwise is also the title to her collected poems published by  www.graywolfpress.org and is the only book of poetry that my wife has read from cover to cover. She did it in three days.

Biscuit

The dog has cleaned his bowl
and his reward is a biscuit,
which I put in his mouth
like a priest offering the host.

I can’t bear that trusting face!
He asks for bread, expects
bread, and I in my power
might have given him a stone.

The Shirt

The shirt touches his neck
and smooths over his back.
It slides down his sides.
It even goes down below his belt—
down into his pants.
Lucky shirt.

Otherwise

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

To my friends who have read these poems inpast years, having recieved it by email from me, I ask your patience while I share Jane with the rest of the world.

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